When was kandinsky born

After completing his degree in , he started his career in law education by lecturing at the university. Despite his success as an educator, Kandinsky abandoned his career teaching law to attend art school in Munich in For his first two years in Munich he studied at the art school of Anton Azbe, and in he studied under Franz von Stuck at the Academy of Fine Arts. At Azbe's school he met co-conspirators such as Alexei Jawlensky, who introduced Kandinsky to the artistic avant-garde in Munich.

In , along with three other young artists, Kandinsky co-founded "Phalanx" - an artist's association opposed to the conservative views of the traditional art institutions. Phalanx expanded to include an art school, in which Kandinsky taught, and an exhibitions group. In one of his classes at the Phalanx School, he met and began a relationship with his student, Gabriele Munter, who became his companion for the next 15 years. As he traveled throughout Europe and northern Africa with Munter from until , Kandinsky familiarized himself with the growing Expressionist movement and developed his own style based on the diverse artistic sources he witnessed on his travels.

Kandinsky painted his breakthrough work, Der Blaue Reiter during this transitional period. This early work revealed his interest in disjointed figure-ground relationships and the use of color to express emotions rather than appearances - two aspects that would dominate his mature style. In , he was one of the founding members of Neue Kunstlervereinigung Munchen NKVM, or New Artists Association of Munich , a group that sought to accommodate the avant-garde artists whose practices were too radical for the traditional organizations and academies of the time.

His paintings became more and more abstracted from the surrounding world as he gradually refined his style. He began titling works Improvisation , Composition , or Impression to further stress their distance from the objective world and continued to use similar titles throughout the rest of his career.

Though their aims and approaches varied from artist to artist, in general the group believed in the promotion of modern art and the possibility for spiritual experience through the symbolic associations of sound and color - two issues very near and dear to Kandinsky's heart. Despite the similarities between the group's moniker and the title of Kandinsky's painting, the artists actually arrived at the name "Der Blaue Reiter" as a result of the combination of Marc's love of horses and Kandinsky's interest in the symbolism of the rider, coupled with both artists' penchant for the color blue.

During their short tenure, the group published an anthology The Blue Rider Almanac and held three exhibitions. Additionally, Kandinsky published Concerning the Spiritual in Art , his first theoretical treatise on abstraction that articulated his theory that the artist was a spiritual being that communicated through and was affected by line, color, and composition.

This was a crucial period in his transition towards abstraction. Wassily Kandinsky , Bayerisches Dorf mit Feld , Among the thinkers who most influenced him was Helena Petrova Blavatsky, co-founder of the Theosophical Society in , who contended that there is a higher, immaterial realm beyond the visible world.

Wassily Kandinsky , Strandszene , In the painting Strandszene , above, Kandinsky provided what appears to be a glimpse of that realm: a rich patch of red at the top of the canvas, beneath which human figures toil in the material world. His thinking in that treatise brought him one step closer to abstraction. It left the majority of critics bemused. Kandinsky was a keen lover of music, and counted Richard Wagner among his favourite composers.

He also saw a strong affinity between music and painting, believing in the perceptual phenomenon of synaesthesia — according to which the stimulation of one sense leads to the stimulation of another. He duly thought that the colours and marks in a painting triggered particular sounds, just as the musical notes in a symphony triggered particular sights. Wassily Kandinsky , Studie zu Improvisation 3 , Of composers who can be said to have influenced his art, one stands out: Alfred Schoenberg, the avant-garde Austrian, who set aside conventional rules of harmony in favour of a new, atonal approach.

Bauhaus Bauhaus was a revolutionary school of art, architecture and design established by Walter Gropius at Weimar in Germany in Expressionism Expressionism refers to art in which the image of reality is distorted in order to make it expressive of the …. Non-objective art Non-objective art defines a type of abstract art that is usually, but not always, geometric and aims to convey a …. Synaesthesia Synaesthesia or synesthesia is a neurological condition in which the stimulation of a sense like touch or hearing leads involuntarily ….

Tate Papers. Tate Papers no. You might like Left Right. Natalia Goncharova — Michel Larionov — Edward Reginald Frampton — Kazimir Malevich — El Lissitzky — Paul Klee — In he began to study law and economics at the Moscow University.

After passing his exams he started a teaching career at the Moscow Faculty of Law. He had many interests and apparently a great gift to teach himself different skills. In Kandinsky saw an exhibition of French impressionists in Moscow with paintings of Monet and others. He was at first confused and would later described how upset he was about Claude Monet's painting The haystack. He thought that the painter had no right to paint things in a way that made it difficult to recognize the subject.

In , at the age of thirty, he decided to start a new career as an artist and went to Munich in Southern Germany. He enrolled at the Academy of Fine Arts for four years until The art of Kandinsky established itself rather fast from on through many exhibitions in Europe. In he formed together with other Expressionist painters the group Der Blaue Reiter.

Kandinsky was the leading head of the group together with Franz Marc.